LIVIA BRASH
SOPRANO
NEWS
2024: Highlights of the Year
2024 marked Livia's first year living in Melbourne, and she has already made a significant impact on the city's vibrant operatic scene.
This year was filled with milestones:
After being named a Richard Divall Emerging Artist, Livia covered the role of Musetta in La Bohème with Melbourne Opera, and made her debut as La Zelatrice in Suor Angelica as part of the Puccini Gala. Her portrayal of La Zelatrice was met with critical acclaim, with Classic Melbourne praising her "full, rich, and rounded" soprano, while Limelight singled her out as one of the "notable" supporting performers. The production won the 2024 Opera Chaser Award for Outstanding Opera in Concert.
In concert, Livia delivered several performances for the Friends of Melbourne Opera, including a highlight event at the iconic Melbourne Cricket Ground, as well as a program of Wagner arias for The Richard Wagner Society of Victoria. The year was wrapped up with her involvement in the star-studded Sydney Carols in the Domain, where she performed with the Young Stars of Australian Opera in front of an audience of 50,000 people, and broadcast on Channel 7 and 7plus to millions more at home.
Setting the Stage for 2025: What’s Next
The upcoming year promises to be even more significant for Livia, with major projects already underway. She makes a highly anticipated return to Wagner as she prepares to cover the role of Eva in Melbourne Opera’s Die Meistersinger von Nürnberg, conducted by internationally acclaimed maestro Anthony Negus and directed by Suzanne Chaundy. This spectacular production, part of Australia’s most significant opera event in 2025, will be presented at the world-heritage listed Royal Exhibition Building in Melbourne in February, with four performances of this Wagnerian masterpiece running from 16 to 22 February.
Livia is also set to make her debut in the title role of Dvorak's Rusalka on 1 March in an open-air performance in Melbourne. She continues her tenure with Melbourne Opera as Richard Divall Emerging Artist.
BIOGRAPHY
Livia Brash's passion for classical music was ignited at age 3 upon hearing a Mozart violin concerto on the radio. By high school, she was playing violin semi-professionally but soon shifted her focus to singing, aspiring towards an operatic career.
Livia is an Emerging Artist with Melbourne Opera as part of the 2024-25 Richard Divall Program. In 2025 she will be covering the role of Eva (Die Meistersinger) with the company, and making her debut in the title role of Rusalka for Opera in the Park.
In 2024, she covered Musetta (La Boheme) for Melbourne Opera, and was praised for her "full, rich rounded soprano" (Classic Melbourne) singing the role of La Zelatrice in Suor Angelica, a production that won the 2024 Opera Chaser Award for Outstanding Opera in Concert. That year, Livia was also featured as a "Young Star of Australian Opera" at the Sydney Carols in the Domain. She was previously based in Germany for five years, where she was a member with Düsseldorf Lyric Opera, appeared as Sieglinde in Dramatic Voices Berlin's film of Die Walküre and was sponsored by the Wagner Society NSW.
Livia attended the prestigious Georg Solti Accademia in Italy, where she was under the tutelage of mentors such as Maestro Richard Bonynge AC CBE. During her time in Europe, she performed the title role of Bellini's Beatrice di Tenda as part of the London Bel Canto Festival with the London City Philharmonic Orchestra and appeared in recital in London. She was set to make her debut in title role of Verdi's Aida at the WIN Entertainment Centre Stadium in Australia (cancelled)
In the year before she relocated to Germany, Livia made five role debuts, appearing in the title roles Alcina and Tosca, Mimi (La Bohème), and toured Australia as Rosina/Bertha swing (Il Barbiere di Siviglia). The same year, she also made solo appearances with the Canberra Symphony, Lake Macquarie Philharmonic, Willoughby Symphony and Central Coast Philharmonic orchestras.
She has performed as a soloist with the Sydney Philharmonia Choirs and orchestra at City Recital Hall Sydney, the Canberra Choral Society and Canberra Wind Symphony for their Last Night at the Proms event at Albert Hall, and the Christmas Eve service at Sydney Town Hall. During her time as a Young Artist with Pacific Opera, she performed at the Sydney Opera House and the Chatswood Concourse.
In addition to her significant stage experience, Livia has also won several awards from Australia's most prestigious singing Competitions. She won the Opera Foundation for young Australians Dalwood-Wylie AIMS Award, and the AIMS Sundell Award, which allowed her to receive tuition at the Vienna State Opera. She was also a finalist in the Joan Sutherland and Richard Bonynge Bel Canto Competition two years in a row, coming third and second place respectively, as well as being named a finalist in the IFAC Handa Australian Singing Competition.
Livia holds a Masters of Music Studies (Opera) from the Sydney Conservatorium of Music, where she was the recipient of the Geoffrey Rothwell Scholarship and the Joan Bonamy Scholarship. She completed a Bachelor of Music (Classical Voice) from the Australian National University.
REPERTOIRE
Bellini
- Beatrice (Beatrice di Tenda)
Britten
- Nancy (Albert Herring)
Dvorak
- Rusalka (Rusalka)
Handel
- Alcina (Alcina)
Monteverdi
- Euridice (L'Orfeo)
Mozart
- Donna Elvira (Don Giovanni)
- Fiordiligi (Cosi fan tutte)
- Vitellia (La clemenza di Tito)
- Second Lady (Die Zauberflöte)
Puccini
- Musetta (La Bohème)
- Mimi (La Bohème)
- Tosca (Tosca)
- La Maestra delle Novizie
(Suor Angelica)
- La Zelatrice (Suor Angelica)
Purcell
- Titania (The Fairy Queen)
Verdi
- Aida (Aida)
- Leonora (Il trovatore)
Wagner
- Eva (Die Meistersinger)
- Sieglinde (Die Walküre)
Williamson
- Mrs Dards, Duchess of Devonshire (English Eccentrics)
London Bel Canto Festival- United Kingdom
Australian National University- Australia
Opera in the Park- Australia
Hawaii Performing Arts Festival- USA
Australian National University- Australia
Hunter Opera- Australia
Sydney Conservatorium- Australia
Pacific Opera- Australia (scenes)
Opera Laboratory- Sydney
Melbourne Opera (cover)
Central Coast Opera- Australia
Lyric Opera Central Coast- Australia, Outlaw Opera- Australia
Sydney Conservatorium- Australia
Sydney Conservatorium- Australia
Melbourne Opera
Sydney Conservatorium- Australia
Wollmington Productions- Australia (cancelled)
American Institute of Musical Arts in Graz- Austria (scenes)
Melbourne Opera (cover)
Dramatic Voices Berlin (film)
Sydney Conservatorium- Australia
2019
2012
2025
2018
2014
2017
2016
2018
2017
2024
2018
2018
2015
2024
2016
2019
2017
2025
2022
2015
LISTEN
SUICIDIO!
Ponchielli (La Gioconda)
Recorded August 2023
COME SCOGLIO
Mozart (Così fan tutte)
Recorded February 2023
OR TUTTI SORGETE
Verdi (Macbeth)
Recorded August 2023
DU BIST DER LENZ
Wagner (Die Walküre)
Dramatic Voices Berlin Film 2022
IO SON L'UMILE ANCELLA
Cilea (Adriana Lecouvreur)
Recorded November 2022
AH, MIO COR!
Handel (Alcina)
Recorded 2018 Hawaii Performing Arts Festival
REVIEWS
"Australian soprano Livia Brash has a richly upholstered and luxuriantly coloured lirico-dramtico soprano and
she exhibited range, strength and nuance, rising with considerable power in the ensembles and
showing stamina in arias whose tessitura is frequently high…
Brash’s was an impressive performance of considerable commitment and accomplishment,
and one from which she clearly derived enormous pleasure and fulfillment."
- Opera Today
"Soprano Livia Brash is precociously gifted and ably performed her selections from Verdi with confidence and charm"
- Sounds Like Sydney
"Special guest soloist, Livia Brash, has quite a solid, "meaty" voice with an amazing range...
and excellent control, never forced, effortlessly reaching impossibly high notes"
- City News, Canberra
"Livia Brash was particularly impressive... her strong soprano full, rich and rounded."
- Classic Melbourne
"The soprano, big-voiced, tall-framed and brassy blonde, Livia Brash, excels...
In a world where sopranos proliferate, this young woman can more than hold her own."
-ClassikOn
"Brash excelled in her role as the eponymous heroine, with her gorgeous voice and fine acting chops really getting a workout...
Brash brought a lovely combination of youthful vulnerability, physical beauty, and a tangible sense of personal power
to her interpretation of the passionate diva. She is well on her way to crafting a Tosca worthy of international attention."
- Holly Champion
"With her lovely soprano voice, Livia Brash sang "Una voce poco fa" with confidence and a great sense of fun...
The soloists displayed impressive voices and technique, as well as thoughtful and believable presentation."
- City News, Canberra
"[Brash] stunned musically too with precision, musicality and serene presence.
Livia is a star with a stunning future ahead of her."
- Professor Stephanie Short
"The most successful was Livia Brash, who has already had considerable operatic experience...
Il est doux from Massenet's Herodiade was vocally and dramatically compelling."
- Richard Gate, Canberra Symphony Orchestra Website
GALLERY
LIVIA BRASH